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Peter Bart

Editor-At-Large

Peter moved to Deadline in 2016 from his longtime home at Variety, where he had been a fixture since 1989 as that trade's Editor-In Chief. He began his career as a staff reporter for The Wall Street Journal and The New York Times before his entry into the movie business, becoming Vice President for Production at Paramount. At that studio, he played a key role in such films as The Godfather, Rosemary’s Baby and Harold & Maude. He later served as Senior Vice President for Production at MGM and, later, as President of Lorimar films. Peter is also the author of nine books, and is a member of PMC's board of advisors.

More From Peter Bart

Peter Bart: Teary ‘Hamnet’ Spins Tale Of Love And Grief Amid Chaotic Backdrop Of English Renaissance (And Awards Season)

Peter Bart: Awards-Season Movies Struggle To Be Heard Above The Digital Din

Peter Bart: Hollywood, Scorsese & The Future Of The Flop

Peter Bart: Companies Are Pitching MOGA (Make Offices Great Again), But AI-Wary Workers Are Barely Budging

Peter Bart: It’s One Battle After Another On Paul Thomas Anderson’s Latest Awards-Season Journey

Peter Bart: Peacock Delivers ‘The Paper’ In Toledo While Rupert Murdoch Plots Tabloid Takeover Of L.A.

Peter Bart: Both ‘The Naked Gun’ And Its Studio Are Banking On The Promise Of Reboots

Peter Bart: Big Brands Boom At Box Office But Don’t Forget To Nurture The Summer Surprises

Peter Bart: Barbara Walters Built A Career On Trust In A Bygone Era Far Removed From Today

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